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	<title>Forum for World Literature Studies世界文学研究论坛</title>
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	<link>http://www.fwls.org</link>
	<description>Forum for World Literature Studies（ISSN 1949 – 8519）is a peer-reviewed academic journal sponsored by Shanghai Normal University，Purdue University and the Wuhan Institute for Humanities.</description>
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		<title>Vol.4, No.1,2012</title>
		<link>http://www.fwls.org/download/vol-4-1-2012.html</link>
		<comments>http://www.fwls.org/download/vol-4-1-2012.html#comments</comments>
		<pubDate>Sun, 13 May 2012 15:08:20 +0000</pubDate>
		<dc:creator>shjowhut</dc:creator>
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		<guid isPermaLink="false">http://www.fwls.org/?p=414</guid>
		<description><![CDATA[<img class="alignnone size-full wp-image-396" title="" src="http://www.fwls.org/wp-content/uploads/2012/05/201241.jpg" alt="" width="155" height="224" />
This issue contains three parts.
1. Ramónde Valle-Inclan Studes Edited by Arturo Casas
2. Danish and Norwegian Welfare Literature Studies Edited by Anne-Marie Mai
3. Chinese Literature Studies Edited by Yang Gexin]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.fwls.org/wp-content/uploads/2012/05/201241.jpg"><img class="alignnone size-full wp-image-396" title="201241" src="http://www.fwls.org/wp-content/uploads/2012/05/201241.jpg" alt="" width="155" height="224" /></a></p>
<p><strong><em>Contents</em></strong></p>
<p><a href="http://www.fwls.org/wp-content/uploads/2012/05/Vol.4,1-1.gif"><img class="alignnone size-full wp-image-424" title="Vol.4,1-1" src="http://www.fwls.org/wp-content/uploads/2012/05/Vol.4,1-1.gif" alt="" /></a><br />
<a href="http://www.fwls.org/wp-content/uploads/2012/05/Vol.4,-No1-2.gif"><img class="alignnone size-full wp-image-424" title="Vol.4,1-2" src="http://www.fwls.org/wp-content/uploads/2012/05/Vol.4,-No1-2.gif" alt="" /></a></p>
<p><strong>拉蒙·德尔·巴列因克兰研究<br />
</strong>１-４　拉蒙·德尔·巴列因克兰研究导言<br />
阿图罗·卡萨斯<br />
５-７　现代主义与小说：论拉蒙·德尔·巴列因克兰<br />
达里奥·维拉纽瓦<br />
１８-３２　“艾斯坡朋图”：一种表现荒诞和残暴的戏剧形式<br />
罗伯特·利马<br />
３３-４８　拉蒙·德尔·巴列因克兰与造型艺术<br />
玛格丽塔·桑托斯·扎斯<br />
４９-６４　文明与野蛮：《暴君班德拉斯》的遗产<br />
安东尼奥·弗朗西斯科·佩德罗斯加斯科<br />
６５-７５　欧洲直觉主义、神秘主义和现代性的表现：以因克兰的《香味传奇》为例<br />
罗萨里奥·马斯卡托雷伊<br />
<strong>丹麦挪威的福利文学研究<br />
</strong>７６-７７　丹麦挪威福利文学研究导言<br />
安玛丽·麦<br />
７８-８５　论丹麦福利型国家中作家的角色<br />
安玛丽·麦<br />
８６-１０２　论挪威福利型国家中作家的角色（１９５０－１９７５）<br />
陶·瑞姆<br />
１０３-１１６　哈拉德·霍夫丁和 Ｈｅｒｅｔｉｃａ杂志撰稿人福利思想的对话和宗教主题<br />
安德斯·泰仁·安德森<br />
１１７-１２４　变革中不可解决的冲突：汉斯·安徒生《幸运女神的套鞋》中的现代性<br />
乔斯·诺里加德·弗兰森<br />
１２５-１３３　拼贴的城市——城市的拼贴：斯温·霍尔姆《我的最爱——一部类型小说》中审美与政治的互动<br />
安提耶·威斯曼<br />
１３４-１４９　福利国家与养老院小说：本特·文·尼尔森的《百姓生活》<br />
彼特·西蒙森<br />
<strong>中国文学研究<br />
</strong>１５０－１５９　中国当代小说的政治主题<br />
杨金才<br />
１６０-１６４　翻译中失去的自我：社会语言学视角下的汉诗英译中的现代性与意合<br />
卢卡斯·克兰<br />
１６５-１８５　埃兹拉·庞德的“刘彻”与翻译诗学<br />
李英石</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
<ul>
<li style="text-align: left;"><a href="http://www.fwls.org/wp-content/uploads/2012/05/Vol.4-No.1-2011-FWLS.pdf" target="_blank">All contents of the issue</a></li>
</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.3, No.3,2011</title>
		<link>http://www.fwls.org/download/vol-3-no-32011.html</link>
		<comments>http://www.fwls.org/download/vol-3-no-32011.html#comments</comments>
		<pubDate>Fri, 30 Dec 2011 04:53:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[<img class="alignnone size-full wp-image-396" title="121212" src="http://www.fwls.org/wp-content/uploads/2011/12/121212.jpg" alt="" width="155" height="224" />
This issue contains three parts.
1.Japanese Literature Studies
2.Romanian Literature and Culture Studies
3.Brazilian Literature Studies]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.fwls.org/wp-content/uploads/2011/12/121212.jpg"><img class="alignnone size-full wp-image-396" title="121212" src="http://www.fwls.org/wp-content/uploads/2011/12/121212.jpg" alt="" width="155" height="224" /></a></p>
<p><strong><em>Contents</em></strong></p>
<p><strong>Japanese Literature Studies</strong></p>
<p>275  Introduction to Japanese Literature Studies</p>
<div id="_mcePaste">Oshima Hitoshi</div>
<div id="_mcePaste">276-288 The self-organization of Japanese Literature</div>
<div id="_mcePaste">Maria Jesusde Prada Vincente</div>
<div id="_mcePaste">289-298 Mythological Heroes in Korea and Japan</div>
<div id="_mcePaste">Min Byung-Noon</div>
<div id="_mcePaste">299-310 The literary value of Basho&#8217;s poetry</div>
<div id="_mcePaste">Oshima Hitoshi</div>
<div id="_mcePaste">311-322 The Decorative and the Poetic in Rimpa Art</div>
<div id="_mcePaste">Cynthia Daugherty</div>
<div id="_mcePaste">323-332  “You&#8217;re Forever Stuck in Neutral，Manmeat&#8221;:Hobbesian Biopolitics</div>
<div id="_mcePaste">and the Rise of the Transhuman</div>
<div id="_mcePaste">Thomas Lolis</div>
<div id="_mcePaste"><strong>Romanian Literature and Culture Studies</strong></div>
<div><strong><br />
</strong></div>
<div id="_mcePaste">333  Romanian Cultural Identity:Landmarks and Turning Points</div>
<div id="_mcePaste">Monica Spiridon</div>
<div id="_mcePaste">334-341 Oriental Voyages:Marthe Bibesco&#8217;s ExtendedCountry</div>
<div id="_mcePaste">Roxana Verona</div>
<div id="_mcePaste">342-349 The Picturesque Romania:An Exercise of Reterritorialization and Sym-</div>
<div id="_mcePaste">bolic Translocation</div>
<div id="_mcePaste">Romanita Constantinescu</div>
<div id="_mcePaste">350-363 Post-1989 Romanian Literature and the Reframing of Cultural Identity</div>
<div id="_mcePaste">Marcel Cornis-Pope</div>
<div id="_mcePaste">364-371 Romanian Cultural Identity:Remembered，Recorded，Invented</div>
<div id="_mcePaste">Monica Spiridon</div>
<div id="_mcePaste"><strong>Brazilian Literature Studies</strong></div>
<div><strong><br />
</strong></div>
<div id="_mcePaste">372   Introduction:Homage to Brazil</div>
<div id="_mcePaste">Charles Ross</div>
<div id="_mcePaste">373-382 Juliet&#8217;s Brazilian Mother</div>
<div id="_mcePaste">Charles Ross</div>
<div id="_mcePaste">383-398 Postcolonial Plagiarisms:Yambo Ouloguem，Calixthe Beyala，and Witi Ihimaera</div>
<div id="_mcePaste">Shaun F. D. Hughes</div>
<div id="_mcePaste">399-409 The Poignant Moment:From G.  E.  Lessing to Film Theory</div>
<div id="_mcePaste">Beate I. Allert</div>
<div id="_mcePaste">410-419 English in the Expanding Circle:the Differences Do Make a Difference</div>
<div id="_mcePaste">Margie Berns</div>
<div id="_mcePaste">420-433 Orpheus and the Racialized Body in Brazilian Film and Literature of the</div>
<div id="_mcePaste">Twentieth Century</div>
<div id="_mcePaste">Patrice D. Rankine</div>
<div id="_mcePaste">434 Notice from Office</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
<ul>
<li style="text-align: left;"><a href="http://www.fwls.org/wp-content/uploads/2011/12/Vol.3-No.32011-FWLS.pdf" target="_blank">All contents of the issue</a></li>
</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Notice from Office</title>
		<link>http://www.fwls.org/news/notice-from-office.html</link>
		<comments>http://www.fwls.org/news/notice-from-office.html#comments</comments>
		<pubDate>Tue, 20 Dec 2011 14:56:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[The past three years witnesses the growing-up of FWLS. Thanks to all the members of Editorial Board and authors，FWLS has been included in MLA International Bibliography database，Annual Bibliography of English Language and Literature database，and will be included in EBSCO's library.  We expect all the articles published in FWLS will be available on EBSCO's database called LITERARY REFERENCE CENTER PLUS in early 2012.]]></description>
			<content:encoded><![CDATA[<p>   The past three years witnesses the growing-up of FWLS. Thanks to all the members of Editorial Board and authors，FWLS has been included in MLA International Bibliography database，Annual Bibliography of English Language and Literature database，and will be included in EBSCO&#8217;s library.  We expect all the articles published in FWLS will be available on EBSCO&#8217;s database called LITERARY REFERENCE CENTER PLUS in early 2012.<br />
    FWLS website( http;//www. fwls. org/) can be available now，which provides a new way for readers to know its past and the latest contents and for authors to download the digital issue including his or her articles. In the coming future it will facilitate more functions and from then on communications between readers and editors, submission and subscription can be done through this website.<br />
    FWLS is still advancing its way to full success and appreciates supports and conterns from all circles though it has made some progress. More contributions in area of literature including literary theory，cultural studies，particularly articles which engage in those literatures written in Non-English languages are warmly welcome.<br />
    On the occasion of Christmas and New Year FWLS conveys its best wishes to all the readers，authors and Editorial Board members.  Merry Christmas and Happy New year!</p>
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		<title>Vol.3, No.2,2011</title>
		<link>http://www.fwls.org/download/vol-3-no-22011.html</link>
		<comments>http://www.fwls.org/download/vol-3-no-22011.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 01:00:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[<img class="alignnone size-full wp-image-300" title="201123" src="http://www.fwls.org/wp-content/uploads/2011/10/201123.gif" alt="" width="155" height="224" />
This issue contains three parts.
1. Hans Christian Andersen and the Fairy Tale Studies
2. Slovenian Literature and Culture Studies
3. Book Reviews]]></description>
			<content:encoded><![CDATA[<h3><a href="http://www.fwls.org/wp-content/uploads/2011/10/201123.gif"><img class="alignnone size-full wp-image-300" title="201123" src="http://www.fwls.org/wp-content/uploads/2011/10/201123.gif" alt="" width="155" height="224" /></a></h3>
<h3><strong><span style="color: #0000ff;">Tables of content</span></strong></h3>
<div>
<div>
<h3><strong><em>Hans Christian Andersen and the Fairy Tale Studies</em></strong></h3>
<div id="_mcePaste">158  Introduction to Topic on Hans Christian Andersen and the Fairy Tale</div>
<div id="_mcePaste">Jorgen Veisland</div>
<div id="_mcePaste">159-165  Lydia Cabrera’s African Fables from Cuba as a Text Theatre</div>
<div id="_mcePaste">Barbara Stawicka-Pirecka</div>
<div id="_mcePaste">166-172  Treue in Three Tales by the Brothers Grimm</div>
<div id="_mcePaste">Dolores Buttry</div>
<div id="_mcePaste">173-183  Nation Building and Folklore in Norway 1840-1905</div>
<div id="_mcePaste">Gudleiv Boy</div>
<div id="_mcePaste">184-194  The Language of Andersen’s Early Fairy Tales</div>
<div id="_mcePaste">Tom Lundskar-Nielsen</div>
<div id="_mcePaste">195-203  Dual or Single Address? Some Reflections on Hans Christian Andersen’s</div>
<div id="_mcePaste">Fairy Tales in Polish Translations</div>
<div id="_mcePaste">Hanna Dymel-Trzebiatowska</div>
<div id="_mcePaste">204-210  The Writer of Tales:Hans Christian Andersen as a Cultural Bridge-</div>
<div id="_mcePaste">Builder</div>
<div id="_mcePaste">Johannes Norregaard Frandsen</div>
<div id="_mcePaste">211-219  “The Dryad&#8221; by Hans Christian Andersen:A Fairy Tale on Modern Times</div>
<div id="_mcePaste">and The World Exhibition of 1867</div>
<div id="_mcePaste">Anne-Marie Mai</div>
<div id="_mcePaste">220-231  The End of the Fairy Tale:Hans Christian Andersen’s“The Shadow&#8221;</div>
<div id="_mcePaste">Jorgen Veisland</div>
<h3><strong><em>Slovenian Literature and Culture Studies</em></strong></h3>
<div id="_mcePaste">232-233  Comparativism in Slovenia:Introduction</div>
<div id="_mcePaste">Tomo Virk</div>
<div id="_mcePaste">234-247  Oedipus and Joseph K.</div>
<div id="_mcePaste">Janez Vrebko</div>
<div id="_mcePaste">248-254  The Short Story as a Genre of Ontological Uncertainty</div>
<div id="_mcePaste">Tomo Virk</div>
<div id="_mcePaste">255-266  The Historical Novel, Ideology and Re-organization of the Semiosphere:</div>
<div id="_mcePaste">The Case of the Slovene Historical Novel</div>
<div id="_mcePaste">Vanesa Matajc</div>
<h3><strong><em>Book Reviews</em></strong></h3>
<div id="_mcePaste">267-271  The Voice We Need to Listen to:A Comment on Perloff&#8217; s Poetic License</div>
<div id="_mcePaste">Hu Quansheng</div>
<div id="_mcePaste">272-274  Striving for a New Critical Approach:Rereading English Literature in the</div>
<div id="_mcePaste">Perspective of Ethical Literary Criticism</div>
<div id="_mcePaste">Yang Jincai</div>
</div>
</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
<ul>
<li style="text-align: left;"><a href="http://www.fwls.org/wp-content/uploads/2011/10/Vol.3-No.22011-FWLS.pdf" target="_blank">All contents of the issue</a></li>
</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.3, No.1, 2011</title>
		<link>http://www.fwls.org/download/vol-3-no-1-2011.html</link>
		<comments>http://www.fwls.org/download/vol-3-no-1-2011.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 00:51:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[<img class="alignnone size-full wp-image-296" title="201113" src="http://www.fwls.org/wp-content/uploads/2011/10/201113.gif" alt="" width="155" height="224" />
1-2  Introduction to“Graphic Engagement:The Politics of Comics and Ani-
mation". Derek Parker Royal, S. C. Gooch,Juan Meneses.
3-14   "Later, Buddy":The Politics of Loss and Trauma Representation in Tengen Topper Gurren Lugunn
Vyshali Manivannan.
..........
147-156  Political Engagements:Thinking Inside the Frame.  S. C. Gooch, Juan Meneses]]></description>
			<content:encoded><![CDATA[<h3><a href="http://www.fwls.org/wp-content/uploads/2011/10/201113.gif"><img class="alignnone size-full wp-image-296" title="201113" src="http://www.fwls.org/wp-content/uploads/2011/10/201113.gif" alt="" width="155" height="224" /></a></h3>
<h3><strong><span style="color: #0000ff;">Tables of content</span></strong></h3>
<div>
<div>
<div id="_mcePaste">1-2</div>
<div id="_mcePaste">Introduction to“Graphic Engagement:The Politics of Comics and Ani-</div>
<div id="_mcePaste">mation&#8221;</div>
<div id="_mcePaste">Derek Parker Royal</div>
<div id="_mcePaste">S. C. Gooch</div>
<div id="_mcePaste">Juan Meneses</div>
<div id="_mcePaste">3-14</div>
<div id="_mcePaste">“Later, Buddy&#8221;:The Politics of Loss and Trauma Representation in</div>
<div id="_mcePaste">Tengen Topper Gurren Lugunn</div>
<div id="_mcePaste">Vyshali Manivannan</div>
<div id="_mcePaste">15-24</div>
<div id="_mcePaste">“A Great Artist Can Come from Anywhere&#8221;:Globalization in the Pixar</div>
<div id="_mcePaste">Animated Feature</div>
<div id="_mcePaste">Walter C. Metz</div>
<div id="_mcePaste">25-39</div>
<div id="_mcePaste">Manger as Historical Medium:Depictions of Prince Shotoku’s Authorship</div>
<div id="_mcePaste">of the Sangyo-gisho in Japanese Comic Books</div>
<div id="_mcePaste">Mark Dennis</div>
<div id="_mcePaste">40-51</div>
<div id="_mcePaste">Queering the Family Album:the Re-orientation of Things in Alison</div>
<div id="_mcePaste">Bechdel’s Fun Home</div>
<div id="_mcePaste">Rebecca Scherr</div>
<div id="_mcePaste">52-60</div>
<div id="_mcePaste">Breaking Barriers:Moving Beyond Orientalism in Comics Studies</div>
<div id="_mcePaste">Leah Misemer</div>
<div id="_mcePaste">61-69</div>
<div id="_mcePaste">The Breakdown of Heroism in the 1970s:Miserable Men in Franco-Bel-</div>
<div id="_mcePaste">gian Western Comics</div>
<div id="_mcePaste">Kira Ackermann</div>
<div id="_mcePaste">70-80</div>
<div id="_mcePaste">Historical Narrative and the Misrepresentation of Wartime Labor Recruit-</div>
<div id="_mcePaste">ment in Kenkanryu</div>
<div id="_mcePaste">Erik Ropers</div>
<div id="_mcePaste">81-93</div>
<div id="_mcePaste">&#8220;This Living Hand&#8221;:Fantasies of Handwriting in the Comics of Kevin</div>
<div id="_mcePaste">Huizenga</div>
<div id="_mcePaste">Aaron Kashtan</div>
<div id="_mcePaste">94-106</div>
<div id="_mcePaste">Otaku Dreams:The Re-membering of Japan in Murakami Takashi’s</div>
<div id="_mcePaste">“Earth at My Window&#8221;</div>
<div id="_mcePaste">Jannik Haruo Eikenaar</div>
<div id="_mcePaste">107-117</div>
<div id="_mcePaste">The Politics of One Piece:Political Critique in Oda&#8217; s Water Seven</div>
<div id="_mcePaste">Thomas Zoth</div>
<div id="_mcePaste">118-128</div>
<div id="_mcePaste">“True-To-Life&#8221;:Romance Comics and Teen-Age Desire，1947一1954</div>
<div id="_mcePaste">Jeanne Gardner</div>
<div id="_mcePaste">129-136</div>
<div id="_mcePaste">The Liberal Imagination Unlimited:On Joe Sacco’s The Fixer:A  Story</div>
<div id="_mcePaste">From Sarajevo</div>
<div id="_mcePaste">Daniel Morris</div>
<div id="_mcePaste">137-146</div>
<div id="_mcePaste">Perceiving Persepolis:Personal Narrative，Sense Memories，and Visual</div>
<div id="_mcePaste">Simplicity in Marjane Satrapi’s Animated Autobiography</div>
<div id="_mcePaste">Meghan Gilbride</div>
<div id="_mcePaste">147-156</div>
<div id="_mcePaste">Political Engagements:Thinking Inside the Frame</div>
<div id="_mcePaste">S. C. Gooch</div>
<div id="_mcePaste">Juan Meneses</div>
</div>
</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
<ul>
<li style="text-align: left;"><a href="http://www.fwls.org/wp-content/uploads/2011/10/Vol.3, No.1, 2011 FWLS.pdf" target="_blank">All contents of the issue</a></li>
</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<item>
		<title>Vol.2, No.3, 2010</title>
		<link>http://www.fwls.org/download/vol-2-no-3-2010.html</link>
		<comments>http://www.fwls.org/download/vol-2-no-3-2010.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 00:30:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Download]]></category>

		<guid isPermaLink="false">http://www.fwls.org/?p=287</guid>
		<description><![CDATA[<img class="alignnone size-full wp-image-291" title="201023" src="http://www.fwls.org/wp-content/uploads/2011/10/201023.gif" alt="" width="155" height="224" />
This issue contains five parts.
1. Coetzee Studies
2. Tagore Studies
3. Bjornson Studies
4. Estonian Literature Studies
5. Book Reviews]]></description>
			<content:encoded><![CDATA[<h3><strong><span style="color: #0000ff;"><a href="http://www.fwls.org/wp-content/uploads/2011/10/201023.gif"><img class="alignnone size-full wp-image-291" title="201023" src="http://www.fwls.org/wp-content/uploads/2011/10/201023.gif" alt="" width="155" height="224" /></a></span></strong></h3>
<h3><strong><span style="color: #0000ff;"><a href="http://www.fwls.org/wp-content/uploads/2011/10/201023.gif"></a>Tables of content</span></strong></h3>
<div>
<div>
<h3><strong><em>Coetzee Studies</em></strong></h3>
<div id="_mcePaste">J. M.  Coetzee&#8217;s Australian Realism</div>
<div id="_mcePaste">Elleke Boehmer    341</div>
<div id="_mcePaste">To Speak of This You Would Need the Tongue of a God:Coetzee&#8217;s Age of Iron</div>
<div id="_mcePaste">Township Violence，and the Classics</div>
<div id="_mcePaste">Derek Attridge    355</div>
<div id="_mcePaste">Writing Self as Other; J.  M.  Coetzee&#8217;s“ life writing&#8221; in Scenes from Provincial Life</div>
<div id="_mcePaste">Sue Kossew     363</div>
<div id="_mcePaste">The Genre Strategy of Coetzee&#8217;s Writing; Hybridization of Fiction and Non-fiction</div>
<div id="_mcePaste">Cai Shengqin     376</div>
<h3><strong><em>Tagore Studies</em></strong></h3>
<div id="_mcePaste">A Living Legacy:The</div>
<div id="_mcePaste">Poonam Surie       386</div>
<div id="_mcePaste">Grand Visit to China;</div>
<div id="_mcePaste">Wei Liming         396</div>
<div id="_mcePaste">Holistic Development:</div>
<div id="_mcePaste">Rajasri Basu        427</div>
<div id="_mcePaste">Relevance of Tagore in Today&#8217;s World</div>
<div id="_mcePaste">Historical Significance of Tagore&#8217;s China Visit</div>
<div id="_mcePaste">A Tagorean Vision</div>
<h3><strong><em>Bjornson Studies</em></strong></h3>
<div id="_mcePaste">Bjornson and Women&#8217;s Social Emancipation</div>
<div id="_mcePaste">Tove Bakke     437</div>
<div id="_mcePaste">Bjornson Spirit:The Benevolent Loves Others</div>
<div id="_mcePaste">Liu Minghou        444</div>
<div id="_mcePaste">A Mind as Broad as the Ocean:A Few Thoughts on Bjornstjerne Bjornson&#8217;s“The</div>
<div id="_mcePaste">Ocean&#8221;</div>
<div id="_mcePaste">Sun Jian     455</div>
<div id="_mcePaste">Miracle and Violence as Phenomena of Hope and Happiness:On Bjornson and Be-</div>
<div id="_mcePaste">yond Our Power</div>
<div id="_mcePaste">Ng Hong Chiok   460</div>
<h3><strong><em>Estonian Literature Studies</em></strong></h3>
<div id="_mcePaste">For a First Glance at Estonian Literature</div>
<div id="_mcePaste">Juri Talvet   466</div>
<div id="_mcePaste">Estonian Poetry:The Seduction and the Toil of Thinking in Rhymes</div>
<div id="_mcePaste">Juri Talvet   468</div>
<div id="_mcePaste">Estonian Poetry in English</div>
<div id="_mcePaste">Lauri Pilter   487</div>
<div id="_mcePaste">Translating from French Language into Estonian Literature</div>
<div id="_mcePaste">Katre Talviste   505</div>
<h3><strong><em>Book Reviews</em></strong></h3>
<div id="_mcePaste">A Call for Love and Harmony:On Juri Talvet&#8217;s Poetry and Prose</div>
<div id="_mcePaste">Hu Tianfu    518</div>
</div>
</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
<ul>
<li style="text-align: left;"><a href="http://www.fwls.org/wp-content/uploads/2011/10/Vol.2-No.3-2010-FWLS.pdf" target="_blank">All contents of the issue</a></li>
</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.2, No.2, 2010</title>
		<link>http://www.fwls.org/download/vol-2-no-2-2010.html</link>
		<comments>http://www.fwls.org/download/vol-2-no-2-2010.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 00:21:27 +0000</pubDate>
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		<guid isPermaLink="false">http://www.fwls.org/?p=281</guid>
		<description><![CDATA[<img class="alignnone size-full wp-image-283" title="201022" src="http://www.fwls.org/wp-content/uploads/2011/10/201022.jpg" alt="" width="155" height="224" />
This issue contains two parts.
1. World Shakespeare
2. Renaissance Travels through Milton, Time, and Mind]]></description>
			<content:encoded><![CDATA[<h3><a href="http://www.fwls.org/wp-content/uploads/2011/10/201022.jpg"><img class="alignnone size-full wp-image-283" title="201022" src="http://www.fwls.org/wp-content/uploads/2011/10/201022.jpg" alt="" width="155" height="224" /></a></h3>
<h3><strong><span style="color: #0000ff;">Tables of content</span></strong></h3>
<div>
<div>
<div id="_mcePaste">Introduction</div>
<div id="_mcePaste">Ty Buckman and Charles S. Ross   169</div>
<h3><strong><em>World Shakespeare</em></strong></h3>
<div id="_mcePaste">Othello and the French Tradition in Les enfants du paradis</div>
<div id="_mcePaste">Charles S.  Ross</div>
<div id="_mcePaste">172</div>
<div id="_mcePaste">Shakespeare in Iowa</div>
<div id="_mcePaste">Brady J. Spangenberg   181</div>
<div id="_mcePaste">The Anti-Gaze in a Hybrid Shakespeare:A Discussion of Women Characters in Priuce</div>
<div id="_mcePaste">of the Himalayas</div>
<div id="_mcePaste">Runlei Zhai   194</div>
<div id="_mcePaste">Love and Empire:The Transnational Logic of Feng Xiaogang&#8217;s The Banquet</div>
<div id="_mcePaste">Jinhua Li       206</div>
<div id="_mcePaste">Representations of Shakespearean Women in Contemporary Brazilian Media</div>
<div id="_mcePaste">Christiaue F.  de Alcantara   215</div>
<div id="_mcePaste">Creating the Ghosts of Modernity:Magic and Memory in Hamlet and Cieu Anos de</div>
<div id="_mcePaste">Soledad</div>
<div id="_mcePaste">Jason Lotz   227</div>
<h3><strong><em>Renaissance Travels through Milton，Time，and Mind</em></strong></h3>
<div id="_mcePaste">Expensive Egypt</div>
<div id="_mcePaste">David Read   237</div>
<div id="_mcePaste">Language and Difference in Hakluyt&#8217;s Principal Navigations</div>
<div id="_mcePaste">Marianne Montgomery   246</div>
<div id="_mcePaste">Olympias and Infidelity in the Alexander Romances:A Cross Cultural Study</div>
<div id="_mcePaste">Jena AL-Fuhaid   254</div>
<div id="_mcePaste">The Mythical Method in Song and Saga，Verse and Prose:Part II</div>
<div id="_mcePaste">James Nohrnberg   270</div>
<div id="_mcePaste">The Epic Decision:From Homer to Milton</div>
<div id="_mcePaste">Peter Hufnagel      303</div>
<div id="_mcePaste">The Fight Over the Body in Paradise Lost Book IV</div>
<div id="_mcePaste">Ty Buckman        317</div>
<div id="_mcePaste">Devotional Method and Efficacious Reading in John Donne&#8217;s Devotions饰on Emergent</div>
<div id="_mcePaste">Occasions</div>
<div id="_mcePaste">Mardy Philippian，Jr.    329</div>
<div id="_mcePaste">Wang Xiao-ping Won the 2nd Nara International Myriad Leaves Prize of Japan</div>
<div id="_mcePaste">Chao Gao   338</div>
</div>
</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
<ul>
<li style="text-align: left;"><a href="http://www.fwls.org/wp-content/uploads/2011/10/Vol.2-No.2-2010-FWLS.pdf" target="_blank">All contents of the issue</a></li>
</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.2, No.1, 2010</title>
		<link>http://www.fwls.org/download/vol-2-no-1-2010.html</link>
		<comments>http://www.fwls.org/download/vol-2-no-1-2010.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 00:08:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.fwls.org/?p=276</guid>
		<description><![CDATA[<img class="alignnone size-full wp-image-304" title="201012" src="http://www.fwls.org/wp-content/uploads/2011/10/201012.gif" alt="" width="155" height="224" />
This issue contains four parts.
1. Analyses of Ibsen's Dramatic Texts
2. Ibsen’s Plays on Stage
3. Comparative Studies on Ibsen
4. Reviews]]></description>
			<content:encoded><![CDATA[<h3><a href="http://www.fwls.org/wp-content/uploads/2011/10/201012.gif"><img class="alignnone size-full wp-image-304" title="201012" src="http://www.fwls.org/wp-content/uploads/2011/10/201012.gif" alt="" width="155" height="224" /></a></h3>
<h3><strong><span style="color: #0000ff;">Tables of content</span></strong></h3>
<div>
<h3><em>Analyses of Ibsen&#8217;s Dramatic Texts</em></h3>
<div>Peer Gynt&#8217; s Boundary-Crossings ; The Global Map of His Empirical and Mental Journeys</div>
<div>Kraut Brynhildsvoll   1</div>
<div>The Lady from the Sea:Emergence from Marine Unconscious to Awakened Living</div>
<div>Rukesh Mohun Shurmu          7</div>
<div>Discord and Harmony Between Human and Nature:An Ecological Interpretation of</div>
<div>The Lady from the Sea</div>
<div>Dunni Dui     19</div>
<div>Periphery and Tragedy:Ibsen and the Emergence of a Literary Form</div>
<div>Leonardo F.  Lisi     28</div>
<div>Ibsen&#8217;s Use of Holy Days:An Amalgam of Philosophy，Poetry，and Religion</div>
<div>Truusti Olufsson      35</div>
<div>The Use of the Gun and the Myth of Freedom</div>
<div>Subihu Huq          45</div>
<div>Ibsen’s Compass:Points of Dread and Desire</div>
<div>Anne-Charlotte Hunes Harvey   51</div>
<h3><strong><em>Ibsen’s Plays on Stage</em></strong></h3>
<div>Negotiating Difference:Contemporary  Bengali  Representations of When  We Dead</div>
<div>Awaken and The Wild Duck in Bengal</div>
<div>Tuputi Guptu   63</div>
<div>Ibsen in the Globalized Society:Multiculturalism-or the Lack Thereof-in Norwe-</div>
<div>gian Ibsen Performance</div>
<div>Lixian Cheng   69</div>
<div>Intercultural Implications of A Doll’s House:Experiences with a Production of Ibsen&#8217;s</div>
<div>Play in Mozambique.</div>
<div>Helge Running   75</div>
<div>The Making of a World Dramatist:Ibsen and Det Norske Treater</div>
<div>Tanya Thresher   82</div>
<div>Post-perestroyka Receptions in Staging Ibsen</div>
<div>Margarita Odesskuyu   89</div>
<h3><strong><em>Comparative Studies on Ibsen</em></strong></h3>
<div>The Theme of“Discussion&#8221;:Ibsen，Shaw and Ding Xilin Compared</div>
<div>Sun Jian      97</div>
<div>The Role of Women in the Reception of Ibsen in Finland in the 1880s and 1890s</div>
<div>H. K.  Riikonen   103</div>
<div>Misinterpretation and Innovation:Receptions of A Doll’s House during May Fourth</div>
<div>Movement in China</div>
<div>Chen Liang    109</div>
<div>Playbird or Featherbrain</div>
<div>May-Brit Akerholt   117</div>
<div>A Doll’s House and Kramer vs. Kramer; Objections to Family Law</div>
<div>Bjurne Murkussen   123</div>
<div>Meeting Points of Ibsen and Rabindranath</div>
<div>Kuzul Krishna Bunerjee    131</div>
<div>Tracie Utoh-Ezeajugh’s Nneora:An African Doll’s House as a Paradigm</div>
<div>Alex C. Asigbo        140</div>
<div>The Biographers’Tale of Ibsen’s Childhood</div>
<div>Jens-Morten Hanssen       149</div>
<h3><strong><em>Reviews</em></strong></h3>
<div>Preface to The Interplay Between Art and Politics:A Study of Langston Hughes’:Poetry</div>
<div>Nie Zhenzhao    159</div>
<div>Classic of China, Treasure of the World:Review on The History of Japanese Research</div>
<div>on The Book of Ancient Chinese Poem</div>
<div>Liu Jiuling   164</div>
</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
<ul>
<li style="text-align: left;"><a href="http://www.fwls.org/wp-content/uploads/2011/10/Vol.2-No.1-2010-FWLS.pdf" target="_blank">All contents of the issue</a></li>
</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>The 1stConvention of Chinese/American Association for Poetry and Poetics</title>
		<link>http://www.fwls.org/news/dialog-on-poetry-and-poetics.html</link>
		<comments>http://www.fwls.org/news/dialog-on-poetry-and-poetics.html#comments</comments>
		<pubDate>Sat, 01 Oct 2011 07:21:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[The 2007 International Conference on 20th Century American Poetry in Wuhan, China, inaugurated a new era for American poetry study in China and for the exchange of poetry between China and America. The landmark conference proceedings included over 70 essays by authors from around the world. The conference also led to the formation of the Chinese/American Association for Poetry and Poetics (CAAP), based at the University of Pennsylvania’s Center for Programs in Contemporary Writing (CPCW). ]]></description>
			<content:encoded><![CDATA[<div>
<div><strong><em> </em></strong></div>
<p><strong><em></em></strong>The 2007 International Conference on 20<sup>th</sup> Century American Poetry in Wuhan, China, inaugurated a new era for American poetry study in China and for the exchange of poetry between China and America. The landmark conference proceedings included over 70 essays by authors from around the world. The conference also led to the formation of the Chinese/American Association for Poetry and Poetics (CAAP), based at the University of Pennsylvania’s Center for Programs in Contemporary Writing (CPCW). In order to facilitate academic exchange and to promote poetry and poetics of (and beyond) America and China, CAAP will co-host “Dialog on Poetry and Poetics: The First Convention of the Chinese/American Association for Poetry and Poetics” (Wuhan, China, September 29-30, 2011) with CPCW at Penn, Central China Normal University, <em>Foreign Literature Studies </em>(AHCI journal) and <em>Forum for World Literature Studies</em>. CAAP President Marjorie Perloff, professor of Stanford University and fellow of American Academy of Arts and Sciences (AAAS), CAAP Vice-president Charles Bernstein, Professor of University of Pennsylvania and fellow of AAAS, and CAAP Vice-president Nie Zhenzhao, professor of Central China Normal University and vice-president of China National Association of Foreign Literatures, will attend the conference together with many other scholars from America, China and other parts of the world. We hereby sincerely invite all scholars and poets of the world to this grand academic occasion.</div>
<div><strong>I. Topics</strong></div>
<div>1) The Critical Writings of Marjorie Perloff: Retrospective Readings of the Works</div>
<div>2) Charles Bernstein and L=A=N=G=U=A=G=E</div>
<div>3) Reinterpretations of Poetry Classics: Canons New and Old</div>
<div>4) Sound, Performance, Text: the Boundaries of Poetry</div>
<div>5) Issues of Identity in 21<sup>st</sup> C Poetry</div>
<div>6) Poetry and New Media</div>
<div>7) The Poetics of Translation</div>
<div><strong>II. Conference Languages: </strong>English and Chinese<strong> </strong></div>
<div><strong>III. Deadline for Abstract Submission:</strong> August 20, 2011</div>
<div><strong>IV. Time and Place of the Convention:</strong></div>
<div>Registration: September 28, 2011</div>
<div>Guiyuan Hotel, Central China Normal University, Wuhan</div>
<div>Conference: September 29-30, 2011</div>
<div><strong>V. Publication of conference essays:</strong></div>
<div>1) Selected essays will be published in journals: <em>Foreign Literature Studies </em>and <em>Forum for </em></div>
<div><em>World Literature Studies</em>;</div>
<div>2) Proceedings will be published after the conference.</div>
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		<title>“中美诗歌诗学协会第一届年会”在华中师范大学顺利召开</title>
		<link>http://www.fwls.org/news/%e2%80%9c%e4%b8%ad%e7%be%8e%e8%af%97%e6%ad%8c%e8%af%97%e5%ad%a6%e5%8d%8f%e4%bc%9a%e7%ac%ac%e4%b8%80%e5%b1%8a%e5%b9%b4%e4%bc%9a%e2%80%9d%e5%9c%a8%e5%8d%8e%e4%b8%ad%e5%b8%88%e8%8c%83%e5%a4%a7%e5%ad%a6.html</link>
		<comments>http://www.fwls.org/news/%e2%80%9c%e4%b8%ad%e7%be%8e%e8%af%97%e6%ad%8c%e8%af%97%e5%ad%a6%e5%8d%8f%e4%bc%9a%e7%ac%ac%e4%b8%80%e5%b1%8a%e5%b9%b4%e4%bc%9a%e2%80%9d%e5%9c%a8%e5%8d%8e%e4%b8%ad%e5%b8%88%e8%8c%83%e5%a4%a7%e5%ad%a6.html#comments</comments>
		<pubDate>Fri, 30 Sep 2011 01:57:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[      2011年9月29-30日，由中美诗歌诗学协会、宾夕法尼亚大学当代写作中心、《外国文学研究》杂志、华中师范大学文学院、外语学院、音乐学院主办，多家国内外学术机构协办的“诗歌与诗学的对话：中美诗歌诗学协会第一届年会”国际学术研讨会，在华中师范大学音乐厅隆重举行。
     研讨会由中美诗歌诗学协会副会长、《外国文学研究》杂志主编、《世界文学研究论坛》杂志主编、中国外国文学学会副会长聂珍钊教授主持。]]></description>
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<h3><a href="http://www.fwls.org/wp-content/uploads/2011/09/4a91aa4aU3hJ16o4.flv" target="_blank"><span style="color: #ff0000;">”诗歌与诗学的对话:中美诗歌诗学协会第一届年会“视频下载</span></a></h3>
<div>2011年9月29-30日，由中美诗歌诗学协会、宾夕法尼亚大学当代写作中心、《外国文学研究》杂志、华中师范大学文学院、外语学院、音乐学院主办，多家国内外学术机构协办的“诗歌与诗学的对话：中美诗歌诗学协会第一届年会”国际学术研讨会，在华中师范大学音乐厅隆重举行。 这次大会是一个高水平的国际学术盛会，有200余位中国专家学者以及30余位来自美国、英国、加拿大、韩国、日本的外国学者参加，是继2007年在华中师范大学举办的“20世纪美国诗歌国际学术研讨会”之后国内规模最大、影响最深远的诗歌专题学术会议。</div>
<div id="_mcePaste">在大会开幕式上，华中师范大学副校长黄晓玫，中美诗歌诗学协会会长、美国艺术与科学学院院士、斯坦福大学玛乔瑞•帕洛夫教授，中美诗歌诗学协会副会长、美国艺术与科学院院士、宾夕法尼亚大学查尔斯•伯恩斯坦教授，以及华中师范大学文学院院长胡亚敏教授等发表了热情洋溢的讲话。开幕式由中美诗歌诗学协会副会长、《外国文学研究》杂志主编、<a href="http://www.fwls.org/" target="_blank">《世界文学研究论坛》</a>杂志主编、中国外国文学学会副会长聂珍钊教授主持。在为期两天的大会发言和小组讨论中，与会学者就玛乔瑞• 帕洛夫诗学研究，查尔斯•伯恩斯坦与语言诗，诗歌经典的重读与阐释，声音、表演、文本: 诗歌艺术的疆界，21世纪诗歌中的身份问题，诗歌与现代媒体，诗歌译介理论等方面的议题展开了热烈的对话与讨论，取得了丰硕的成果。</div>
<div id="_mcePaste">会议期间还为玛乔瑞•帕洛夫教授举行了隆重的八十华诞庆祝宴会，以及专场音乐会、诗歌朗诵会等。专场音乐会由音乐学院师生倾情奉献，文学院副院长苏晖教授以及音乐学院院长臧艺兵教授在演出前致辞，从不同的角度对诗歌与音乐的关系进行了阐发，指出了在诗歌研讨会期间举办音乐会的重要意义。在诗歌朗诵会上，国内众多学者、诗人积极登台朗诵自己创作或翻译的诗歌作品，他们以饱满的热情，用不同的语言，朗诵了主题多元、风格多样的诗歌作品。整场朗诵会气氛热烈，高潮迭起。</div>
<div id="_mcePaste">“诗歌与诗学的对话：中美诗歌诗学协会第一届年会”于9月30日晚圆满落幕。此次会议的成功召开，有利地促进了中外学者和诗人的沟通与交流，必将为促进中美诗歌创作和研究的繁荣与发展，进一步推进中美诗歌和诗学的交流起到积极的作用。</div>
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<div><span style="font-size: x-small;">一、会议议题</span></div>
<div><span style="font-size: x-small;">1.玛乔瑞·帕洛夫诗学研究</span></div>
<div><span style="font-size: x-small;">2.查尔斯·伯恩斯坦与语言诗</span></div>
<div><span style="font-size: x-small;">3.诗歌经典的重读与阐释</span></div>
<div><span style="font-size: x-small;">4.声音、表演、文本：诗歌艺术的疆界</span></div>
<div><span style="font-size: x-small;">5.21世纪诗歌中的身份问题</span></div>
<div><span style="font-size: x-small;">6.诗歌与现代媒体</span></div>
<div><span style="font-size: x-small;">7.诗歌译介理论</span></div>
<div><span style="font-size: x-small;">二、会议语言：英语、汉语</span></div>
<div><span style="font-size: x-small;">三、会议时间与地点</span></div>
<div><span style="font-size: x-small;"> 报到：2011年9月28日，华中师范大学桂苑宾馆大厅</span></div>
<div><span style="font-size: x-small;"> 会议：2011年9月29－30日</span></div>
<div><span style="font-size: x-small;">四、成果出版</span></div>
<div><span style="font-size: x-small;">会后出版论文集，并将申报CPCI（原ISSHP）收录；论文将择优发表在《外国文学研究》、<span style="font-size: 13px;"><a href="http://www.fwls.org/" target="_blank">《世界文学研究论坛》</a></span>等期刊。</span></div>
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