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		<title>Vol.4, No.3,2012</title>
		<link>http://www.fwls.org/download/vol-4-no-32012.html</link>
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		<pubDate>Wed, 23 Jan 2013 14:11:53 +0000</pubDate>
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		<description><![CDATA[<img class="alignnone size-full wp-image-396" title="" src="http://www.fwls.org/wp-content/uploads/2013/01/11111.gif" alt="" width="155" height="224" />
This issue contains four parts.
1.Estonian Literature Studies
2.Korean Literature Studies
3.A Perspective of Ethical Literary Criticism on Ibsen’s Plays
4.Turkish Literature Studies]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.fwls.org/wp-content/uploads/2013/01/11111.gif"><img class="alignnone size-full wp-image-465" alt="11111" src="http://www.fwls.org/wp-content/uploads/2013/01/11111.gif" width="155" height="224" /></a></p>
<p><img class="alignnone size-full wp-image-456" title="3" alt="" src="http://www.fwls.org/wp-content/uploads/2013/01/1.png" /><br />
<img class="alignnone size-full wp-image-456" title="3" alt="" src="http://www.fwls.org/wp-content/uploads/2013/01/2.png" /></p>
<p><strong>爱沙尼亚文学研究</strong></p>
<p>353-357 爱沙尼亚的文学与文化</p>
<p>居里·塔尔维特</p>
<p>358-369 德国文学在爱沙尼亚地位的转变</p>
<p>——从改编文学到翻译文学</p>
<p>丽娜·卢卡斯</p>
<p>370-388 怪诞风格与爱沙尼亚文学</p>
<p>安妮丽·麦克勒夫</p>
<p>389-402 为剧场而创作</p>
<p>——爱沙尼亚戏剧发展二十年</p>
<p>露·埃普纳</p>
<p><strong>韩国文学研究</strong></p>
<p>403-404 韩国文学研究导言</p>
<p>李英石</p>
<p>405-420 金春洙的“处容断章”</p>
<p>李英石</p>
<p>421-430 本土矛盾与全球参与</p>
<p>——论当代韩国小说创作背景中的崔任勋和黄皙瑛</p>
<p>尹诚浩</p>
<p>431-438 吴泰锡戏剧《我爱DMZ》和莎士比亚戏剧中的神秘色彩</p>
<p>李宝柆</p>
<p>439-452 反视距离及其限度</p>
<p>——评金炫拷问式、冥想式和欲望式的文学批评</p>
<p>尹壹焕</p>
<p><strong>易卜生戏剧的文学伦理学批评</strong></p>
<p>453-455 易卜生戏剧研究的新方法</p>
<p>——文学伦理学批评的视角</p>
<p>张连桥</p>
<p>456-466 身份困惑与伦理选择</p>
<p>—— 《海上夫人》的主人公艾梨达分析<br />
朱黎航<br />
467-477 人生的建筑师<br />
——论《建筑师》中的身份追寻与心灵孤独<br />
林宛莹<br />
478-486 “究竟社会正确，还是我正确？”<br />
——论《玩偶之家》的伦理身份与伦理禁忌<br />
郑美善</p>
<p><strong>土耳其文学研究</strong></p>
<p>487-488 土耳其文学研究导言<br />
塞金·艾丁<br />
489-500 托马斯·哈代与塔朗吉诗歌中的“死亡”问题<br />
古尔·丹尼兹·德米雷尔·埃德米尔<br />
501-509 迷失于能指的自由游戏<br />
——阿齐兹 *聂辛“爱的符号”之德里达式解读<br />
塞达*厄曼古尔<br />
510-516 《躺下等死》<br />
——土耳其共和国早期女性身份意识的形成<br />
纳藤·贝里克</p>
<p>517-528 接受的复调<br />
——中国巴洛克文学研究的回顾与反思<br />
金琼<br />
529-533 在历史与未来的交叉口上<br />
——评《当代中国外国文学研究（1949—2009）》<br />
尚必武<br />
&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.4, No.2,2012</title>
		<link>http://www.fwls.org/download/vol-4-no-22012.html</link>
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		<pubDate>Fri, 23 Nov 2012 14:59:36 +0000</pubDate>
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]]></description>
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<p><a href="http://www.fwls.org/wp-content/uploads/2013/01/11.png"><img class="alignnone size-full wp-image-470" alt="1" src="http://www.fwls.org/wp-content/uploads/2013/01/11.png" width="348" height="518" /></a></p>
<p><a href="http://www.fwls.org/wp-content/uploads/2013/01/23.png"><img class="alignnone size-full wp-image-472" alt="2" src="http://www.fwls.org/wp-content/uploads/2013/01/23.png" width="343" height="92" /></a></p>
<p>１８７－１８９　瑞典文学研究专刊导言</p>
<p>简·马丁松</p>
<p>１９０－２０３　卡尔·麦克·贝尔曼：十八世纪的诗人、歌手和作曲家</p>
<p>约翰·斯特恩斯托姆</p>
<p>２０４－２１６　诗的音乐会：林德纳，奥珊斯特纳和长诗</p>
<p>阿尔弗雷德·斯约丁</p>
<p>２１７－２２６　论十九世纪杰出的瑞典诗人</p>
<p>伊娃·黑特纳·奥里利乌斯</p>
<p>２２７－２３４　化蛹成蝶：斯特林堡《精神区域》中的女性形象</p>
<p>阿斯特丽德·热格里尔</p>
<p>２３５－２４９　阿斯特里德·林德格林斯的双重身份</p>
<p>海伦·俄瑞安德</p>
<p>２５０－２５９　瑞典和加拿大儿童历史读物中的迁徙与身份</p>
<p>玛丽·英格曼森</p>
<p>２６０－２７５　医生与牧师：希尔玛·索德伯格的《格拉斯医生》与本特·奥尔森的</p>
<p>《格里高瑞斯》的爱与邪恶主题</p>
<p>林娜·阿林</p>
<p>２７６－２９０　美学再议的基点：夏丝汀·艾克曼《光之城》的形象</p>
<p>塞西莉亚·林德</p>
<p>２９１－３０６　超越史迪格·拉森：当代瑞典犯罪小说的传统与发展趋势</p>
<p>科斯汀·伯格曼</p>
<p>３０７－３１５　莉丝贝·莎兰德的标签化与身份</p>
<p>特里·司干普·比杰里德</p>
<p>３１６－３２７　托马斯·特朗斯特罗默诗歌中的生与死</p>
<p>简·马丁松</p>
<p>３２８－３３２　翻译《阿尼阿拉号》的诱惑和挑战</p>
<p>万之</p>
<p>３３３－３３５　一个诺贝尔奖评委会成员的反思</p>
<p>谢尔·埃斯普马克</p>
<p>３３６－３３７　评《繁缕鹿蹄草》</p>
<p>简·马丁松</p>
<p>３３８－３３９　评《日历之外》</p>
<p>简·马丁松</p>
<p>３４０－３５１　“垮掉的一代”：从１９６０年代的美国到１９９０年代的中国</p>
<p>樊星<br />
&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.4, No.1,2012</title>
		<link>http://www.fwls.org/download/vol-4-1-2012.html</link>
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		<pubDate>Sun, 13 May 2012 15:08:20 +0000</pubDate>
		<dc:creator>shjowhut</dc:creator>
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		<description><![CDATA[<img class="alignnone size-full wp-image-396" title="" src="http://www.fwls.org/wp-content/uploads/2012/05/201241.jpg" alt="" width="155" height="224" />
This issue contains three parts.
1. Ramónde Valle-Inclan Studes Edited by Arturo Casas
2. Danish and Norwegian Welfare Literature Studies Edited by Anne-Marie Mai
3. Chinese Literature Studies Edited by Yang Gexin]]></description>
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<p><strong><em>Contents</em></strong></p>
<p><a href="http://www.fwls.org/wp-content/uploads/2012/05/Vol.4,1-1.gif"><img class="alignnone size-full wp-image-424" title="Vol.4,1-1" src="http://www.fwls.org/wp-content/uploads/2012/05/Vol.4,1-1.gif" alt="" /></a><br />
<a href="http://www.fwls.org/wp-content/uploads/2012/05/Vol.4,-No1-2.gif"><img class="alignnone size-full wp-image-424" title="Vol.4,1-2" src="http://www.fwls.org/wp-content/uploads/2012/05/Vol.4,-No1-2.gif" alt="" /></a></p>
<p><strong>拉蒙·德尔·巴列因克兰研究<br />
</strong>１-４　拉蒙·德尔·巴列因克兰研究导言<br />
阿图罗·卡萨斯<br />
５-７　现代主义与小说：论拉蒙·德尔·巴列因克兰<br />
达里奥·维拉纽瓦<br />
１８-３２　“艾斯坡朋图”：一种表现荒诞和残暴的戏剧形式<br />
罗伯特·利马<br />
３３-４８　拉蒙·德尔·巴列因克兰与造型艺术<br />
玛格丽塔·桑托斯·扎斯<br />
４９-６４　文明与野蛮：《暴君班德拉斯》的遗产<br />
安东尼奥·弗朗西斯科·佩德罗斯加斯科<br />
６５-７５　欧洲直觉主义、神秘主义和现代性的表现：以因克兰的《香味传奇》为例<br />
罗萨里奥·马斯卡托雷伊<br />
<strong>丹麦挪威的福利文学研究<br />
</strong>７６-７７　丹麦挪威福利文学研究导言<br />
安玛丽·麦<br />
７８-８５　论丹麦福利型国家中作家的角色<br />
安玛丽·麦<br />
８６-１０２　论挪威福利型国家中作家的角色（１９５０－１９７５）<br />
陶·瑞姆<br />
１０３-１１６　哈拉德·霍夫丁和 Ｈｅｒｅｔｉｃａ杂志撰稿人福利思想的对话和宗教主题<br />
安德斯·泰仁·安德森<br />
１１７-１２４　变革中不可解决的冲突：汉斯·安徒生《幸运女神的套鞋》中的现代性<br />
乔斯·诺里加德·弗兰森<br />
１２５-１３３　拼贴的城市——城市的拼贴：斯温·霍尔姆《我的最爱——一部类型小说》中审美与政治的互动<br />
安提耶·威斯曼<br />
１３４-１４９　福利国家与养老院小说：本特·文·尼尔森的《百姓生活》<br />
彼特·西蒙森<br />
<strong>中国文学研究<br />
</strong>１５０－１５９　中国当代小说的政治主题<br />
杨金才<br />
１６０-１６４　翻译中失去的自我：社会语言学视角下的汉诗英译中的现代性与意合<br />
卢卡斯·克兰<br />
１６５-１８５　埃兹拉·庞德的“刘彻”与翻译诗学<br />
李英石</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.3, No.3,2011</title>
		<link>http://www.fwls.org/download/vol-3-no-32011.html</link>
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		<pubDate>Fri, 30 Dec 2011 04:53:56 +0000</pubDate>
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		<description><![CDATA[<img class="alignnone size-full wp-image-396" title="121212" src="http://www.fwls.org/wp-content/uploads/2011/12/121212.jpg" alt="" width="155" height="224" />
This issue contains three parts.
1.Japanese Literature Studies
2.Romanian Literature and Culture Studies
3.Brazilian Literature Studies]]></description>
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<p><strong><em>Contents</em></strong></p>
<p><strong>Japanese Literature Studies</strong></p>
<p>275  Introduction to Japanese Literature Studies</p>
<div id="_mcePaste">Oshima Hitoshi</div>
<div id="_mcePaste">276-288 The self-organization of Japanese Literature</div>
<div id="_mcePaste">Maria Jesusde Prada Vincente</div>
<div id="_mcePaste">289-298 Mythological Heroes in Korea and Japan</div>
<div id="_mcePaste">Min Byung-Noon</div>
<div id="_mcePaste">299-310 The literary value of Basho&#8217;s poetry</div>
<div id="_mcePaste">Oshima Hitoshi</div>
<div id="_mcePaste">311-322 The Decorative and the Poetic in Rimpa Art</div>
<div id="_mcePaste">Cynthia Daugherty</div>
<div id="_mcePaste">323-332  “You&#8217;re Forever Stuck in Neutral，Manmeat&#8221;:Hobbesian Biopolitics</div>
<div id="_mcePaste">and the Rise of the Transhuman</div>
<div id="_mcePaste">Thomas Lolis</div>
<div id="_mcePaste"><strong>Romanian Literature and Culture Studies</strong></div>
<div><strong><br />
</strong></div>
<div id="_mcePaste">333  Romanian Cultural Identity:Landmarks and Turning Points</div>
<div id="_mcePaste">Monica Spiridon</div>
<div id="_mcePaste">334-341 Oriental Voyages:Marthe Bibesco&#8217;s ExtendedCountry</div>
<div id="_mcePaste">Roxana Verona</div>
<div id="_mcePaste">342-349 The Picturesque Romania:An Exercise of Reterritorialization and Sym-</div>
<div id="_mcePaste">bolic Translocation</div>
<div id="_mcePaste">Romanita Constantinescu</div>
<div id="_mcePaste">350-363 Post-1989 Romanian Literature and the Reframing of Cultural Identity</div>
<div id="_mcePaste">Marcel Cornis-Pope</div>
<div id="_mcePaste">364-371 Romanian Cultural Identity:Remembered，Recorded，Invented</div>
<div id="_mcePaste">Monica Spiridon</div>
<div id="_mcePaste"><strong>Brazilian Literature Studies</strong></div>
<div><strong><br />
</strong></div>
<div id="_mcePaste">372   Introduction:Homage to Brazil</div>
<div id="_mcePaste">Charles Ross</div>
<div id="_mcePaste">373-382 Juliet&#8217;s Brazilian Mother</div>
<div id="_mcePaste">Charles Ross</div>
<div id="_mcePaste">383-398 Postcolonial Plagiarisms:Yambo Ouloguem，Calixthe Beyala，and Witi Ihimaera</div>
<div id="_mcePaste">Shaun F. D. Hughes</div>
<div id="_mcePaste">399-409 The Poignant Moment:From G.  E.  Lessing to Film Theory</div>
<div id="_mcePaste">Beate I. Allert</div>
<div id="_mcePaste">410-419 English in the Expanding Circle:the Differences Do Make a Difference</div>
<div id="_mcePaste">Margie Berns</div>
<div id="_mcePaste">420-433 Orpheus and the Racialized Body in Brazilian Film and Literature of the</div>
<div id="_mcePaste">Twentieth Century</div>
<div id="_mcePaste">Patrice D. Rankine</div>
<div id="_mcePaste">434 Notice from Office</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Notice from Office</title>
		<link>http://www.fwls.org/news/notice-from-office.html</link>
		<comments>http://www.fwls.org/news/notice-from-office.html#comments</comments>
		<pubDate>Tue, 20 Dec 2011 14:56:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[The past three years witnesses the growing-up of FWLS. Thanks to all the members of Editorial Board and authors，FWLS has been included in MLA International Bibliography database，Annual Bibliography of English Language and Literature database，and will be included in EBSCO's library.  We expect all the articles published in FWLS will be available on EBSCO's database called LITERARY REFERENCE CENTER PLUS in early 2012.]]></description>
				<content:encoded><![CDATA[<p>   The past three years witnesses the growing-up of FWLS. Thanks to all the members of Editorial Board and authors，FWLS has been included in MLA International Bibliography database，Annual Bibliography of English Language and Literature database，and will be included in EBSCO&#8217;s library.  We expect all the articles published in FWLS will be available on EBSCO&#8217;s database called LITERARY REFERENCE CENTER PLUS in early 2012.<br />
    FWLS website( http;//www. fwls. org/) can be available now，which provides a new way for readers to know its past and the latest contents and for authors to download the digital issue including his or her articles. In the coming future it will facilitate more functions and from then on communications between readers and editors, submission and subscription can be done through this website.<br />
    FWLS is still advancing its way to full success and appreciates supports and conterns from all circles though it has made some progress. More contributions in area of literature including literary theory，cultural studies，particularly articles which engage in those literatures written in Non-English languages are warmly welcome.<br />
    On the occasion of Christmas and New Year FWLS conveys its best wishes to all the readers，authors and Editorial Board members.  Merry Christmas and Happy New year!</p>
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		<title>Vol.3, No.2,2011</title>
		<link>http://www.fwls.org/download/vol-3-no-22011.html</link>
		<comments>http://www.fwls.org/download/vol-3-no-22011.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 01:00:37 +0000</pubDate>
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		<guid isPermaLink="false">http://www.fwls.org/?p=298</guid>
		<description><![CDATA[<img class="alignnone size-full wp-image-300" title="201123" src="http://www.fwls.org/wp-content/uploads/2011/10/201123.gif" alt="" width="155" height="224" />
This issue contains three parts.
1. Hans Christian Andersen and the Fairy Tale Studies
2. Slovenian Literature and Culture Studies
3. Book Reviews]]></description>
				<content:encoded><![CDATA[<h3><a href="http://www.fwls.org/wp-content/uploads/2011/10/201123.gif"><img class="alignnone size-full wp-image-300" title="201123" src="http://www.fwls.org/wp-content/uploads/2011/10/201123.gif" alt="" width="155" height="224" /></a></h3>
<h3><strong><span style="color: #0000ff;">Tables of content</span></strong></h3>
<div>
<div>
<h3><strong><em>Hans Christian Andersen and the Fairy Tale Studies</em></strong></h3>
<div id="_mcePaste">158  Introduction to Topic on Hans Christian Andersen and the Fairy Tale</div>
<div id="_mcePaste">Jorgen Veisland</div>
<div id="_mcePaste">159-165  Lydia Cabrera’s African Fables from Cuba as a Text Theatre</div>
<div id="_mcePaste">Barbara Stawicka-Pirecka</div>
<div id="_mcePaste">166-172  Treue in Three Tales by the Brothers Grimm</div>
<div id="_mcePaste">Dolores Buttry</div>
<div id="_mcePaste">173-183  Nation Building and Folklore in Norway 1840-1905</div>
<div id="_mcePaste">Gudleiv Boy</div>
<div id="_mcePaste">184-194  The Language of Andersen’s Early Fairy Tales</div>
<div id="_mcePaste">Tom Lundskar-Nielsen</div>
<div id="_mcePaste">195-203  Dual or Single Address? Some Reflections on Hans Christian Andersen’s</div>
<div id="_mcePaste">Fairy Tales in Polish Translations</div>
<div id="_mcePaste">Hanna Dymel-Trzebiatowska</div>
<div id="_mcePaste">204-210  The Writer of Tales:Hans Christian Andersen as a Cultural Bridge-</div>
<div id="_mcePaste">Builder</div>
<div id="_mcePaste">Johannes Norregaard Frandsen</div>
<div id="_mcePaste">211-219  “The Dryad&#8221; by Hans Christian Andersen:A Fairy Tale on Modern Times</div>
<div id="_mcePaste">and The World Exhibition of 1867</div>
<div id="_mcePaste">Anne-Marie Mai</div>
<div id="_mcePaste">220-231  The End of the Fairy Tale:Hans Christian Andersen’s“The Shadow&#8221;</div>
<div id="_mcePaste">Jorgen Veisland</div>
<h3><strong><em>Slovenian Literature and Culture Studies</em></strong></h3>
<div id="_mcePaste">232-233  Comparativism in Slovenia:Introduction</div>
<div id="_mcePaste">Tomo Virk</div>
<div id="_mcePaste">234-247  Oedipus and Joseph K.</div>
<div id="_mcePaste">Janez Vrebko</div>
<div id="_mcePaste">248-254  The Short Story as a Genre of Ontological Uncertainty</div>
<div id="_mcePaste">Tomo Virk</div>
<div id="_mcePaste">255-266  The Historical Novel, Ideology and Re-organization of the Semiosphere:</div>
<div id="_mcePaste">The Case of the Slovene Historical Novel</div>
<div id="_mcePaste">Vanesa Matajc</div>
<h3><strong><em>Book Reviews</em></strong></h3>
<div id="_mcePaste">267-271  The Voice We Need to Listen to:A Comment on Perloff&#8217; s Poetic License</div>
<div id="_mcePaste">Hu Quansheng</div>
<div id="_mcePaste">272-274  Striving for a New Critical Approach:Rereading English Literature in the</div>
<div id="_mcePaste">Perspective of Ethical Literary Criticism</div>
<div id="_mcePaste">Yang Jincai</div>
</div>
</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
<ul>
<li style="text-align: left;"><a href="http://www.fwls.org/wp-content/plugins/download-monitor/download.php?id=8" target="_blank">All contents of the issue</a></li>
</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.3, No.1, 2011</title>
		<link>http://www.fwls.org/download/vol-3-no-1-2011.html</link>
		<comments>http://www.fwls.org/download/vol-3-no-1-2011.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 00:51:27 +0000</pubDate>
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		<description><![CDATA[<img class="alignnone size-full wp-image-296" title="201113" src="http://www.fwls.org/wp-content/uploads/2011/10/201113.gif" alt="" width="155" height="224" />
1-2  Introduction to“Graphic Engagement:The Politics of Comics and Ani-
mation". Derek Parker Royal, S. C. Gooch,Juan Meneses.
3-14   "Later, Buddy":The Politics of Loss and Trauma Representation in Tengen Topper Gurren Lugunn
Vyshali Manivannan.
..........
147-156  Political Engagements:Thinking Inside the Frame.  S. C. Gooch, Juan Meneses]]></description>
				<content:encoded><![CDATA[<h3><a href="http://www.fwls.org/wp-content/uploads/2011/10/201113.gif"><img class="alignnone size-full wp-image-296" title="201113" src="http://www.fwls.org/wp-content/uploads/2011/10/201113.gif" alt="" width="155" height="224" /></a></h3>
<h3><strong><span style="color: #0000ff;">Tables of content</span></strong></h3>
<div>
<div>
<div id="_mcePaste">1-2</div>
<div id="_mcePaste">Introduction to“Graphic Engagement:The Politics of Comics and Ani-</div>
<div id="_mcePaste">mation&#8221;</div>
<div id="_mcePaste">Derek Parker Royal</div>
<div id="_mcePaste">S. C. Gooch</div>
<div id="_mcePaste">Juan Meneses</div>
<div id="_mcePaste">3-14</div>
<div id="_mcePaste">“Later, Buddy&#8221;:The Politics of Loss and Trauma Representation in</div>
<div id="_mcePaste">Tengen Topper Gurren Lugunn</div>
<div id="_mcePaste">Vyshali Manivannan</div>
<div id="_mcePaste">15-24</div>
<div id="_mcePaste">“A Great Artist Can Come from Anywhere&#8221;:Globalization in the Pixar</div>
<div id="_mcePaste">Animated Feature</div>
<div id="_mcePaste">Walter C. Metz</div>
<div id="_mcePaste">25-39</div>
<div id="_mcePaste">Manger as Historical Medium:Depictions of Prince Shotoku’s Authorship</div>
<div id="_mcePaste">of the Sangyo-gisho in Japanese Comic Books</div>
<div id="_mcePaste">Mark Dennis</div>
<div id="_mcePaste">40-51</div>
<div id="_mcePaste">Queering the Family Album:the Re-orientation of Things in Alison</div>
<div id="_mcePaste">Bechdel’s Fun Home</div>
<div id="_mcePaste">Rebecca Scherr</div>
<div id="_mcePaste">52-60</div>
<div id="_mcePaste">Breaking Barriers:Moving Beyond Orientalism in Comics Studies</div>
<div id="_mcePaste">Leah Misemer</div>
<div id="_mcePaste">61-69</div>
<div id="_mcePaste">The Breakdown of Heroism in the 1970s:Miserable Men in Franco-Bel-</div>
<div id="_mcePaste">gian Western Comics</div>
<div id="_mcePaste">Kira Ackermann</div>
<div id="_mcePaste">70-80</div>
<div id="_mcePaste">Historical Narrative and the Misrepresentation of Wartime Labor Recruit-</div>
<div id="_mcePaste">ment in Kenkanryu</div>
<div id="_mcePaste">Erik Ropers</div>
<div id="_mcePaste">81-93</div>
<div id="_mcePaste">&#8220;This Living Hand&#8221;:Fantasies of Handwriting in the Comics of Kevin</div>
<div id="_mcePaste">Huizenga</div>
<div id="_mcePaste">Aaron Kashtan</div>
<div id="_mcePaste">94-106</div>
<div id="_mcePaste">Otaku Dreams:The Re-membering of Japan in Murakami Takashi’s</div>
<div id="_mcePaste">“Earth at My Window&#8221;</div>
<div id="_mcePaste">Jannik Haruo Eikenaar</div>
<div id="_mcePaste">107-117</div>
<div id="_mcePaste">The Politics of One Piece:Political Critique in Oda&#8217; s Water Seven</div>
<div id="_mcePaste">Thomas Zoth</div>
<div id="_mcePaste">118-128</div>
<div id="_mcePaste">“True-To-Life&#8221;:Romance Comics and Teen-Age Desire，1947一1954</div>
<div id="_mcePaste">Jeanne Gardner</div>
<div id="_mcePaste">129-136</div>
<div id="_mcePaste">The Liberal Imagination Unlimited:On Joe Sacco’s The Fixer:A  Story</div>
<div id="_mcePaste">From Sarajevo</div>
<div id="_mcePaste">Daniel Morris</div>
<div id="_mcePaste">137-146</div>
<div id="_mcePaste">Perceiving Persepolis:Personal Narrative，Sense Memories，and Visual</div>
<div id="_mcePaste">Simplicity in Marjane Satrapi’s Animated Autobiography</div>
<div id="_mcePaste">Meghan Gilbride</div>
<div id="_mcePaste">147-156</div>
<div id="_mcePaste">Political Engagements:Thinking Inside the Frame</div>
<div id="_mcePaste">S. C. Gooch</div>
<div id="_mcePaste">Juan Meneses</div>
</div>
</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
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</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.2, No.3, 2010</title>
		<link>http://www.fwls.org/download/vol-2-no-3-2010.html</link>
		<comments>http://www.fwls.org/download/vol-2-no-3-2010.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 00:30:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.fwls.org/?p=287</guid>
		<description><![CDATA[<img class="alignnone size-full wp-image-291" title="201023" src="http://www.fwls.org/wp-content/uploads/2011/10/201023.gif" alt="" width="155" height="224" />
This issue contains five parts.
1. Coetzee Studies
2. Tagore Studies
3. Bjornson Studies
4. Estonian Literature Studies
5. Book Reviews]]></description>
				<content:encoded><![CDATA[<h3><strong><span style="color: #0000ff;"><a href="http://www.fwls.org/wp-content/uploads/2011/10/201023.gif"><img class="alignnone size-full wp-image-291" title="201023" src="http://www.fwls.org/wp-content/uploads/2011/10/201023.gif" alt="" width="155" height="224" /></a></span></strong></h3>
<h3><strong><span style="color: #0000ff;">Tables of content</span></strong></h3>
<div>
<div>
<h3><strong><em>Coetzee Studies</em></strong></h3>
<div id="_mcePaste">J. M.  Coetzee&#8217;s Australian Realism</div>
<div id="_mcePaste">Elleke Boehmer    341</div>
<div id="_mcePaste">To Speak of This You Would Need the Tongue of a God:Coetzee&#8217;s Age of Iron</div>
<div id="_mcePaste">Township Violence，and the Classics</div>
<div id="_mcePaste">Derek Attridge    355</div>
<div id="_mcePaste">Writing Self as Other; J.  M.  Coetzee&#8217;s“ life writing&#8221; in Scenes from Provincial Life</div>
<div id="_mcePaste">Sue Kossew     363</div>
<div id="_mcePaste">The Genre Strategy of Coetzee&#8217;s Writing; Hybridization of Fiction and Non-fiction</div>
<div id="_mcePaste">Cai Shengqin     376</div>
<h3><strong><em>Tagore Studies</em></strong></h3>
<div id="_mcePaste">A Living Legacy:The</div>
<div id="_mcePaste">Poonam Surie       386</div>
<div id="_mcePaste">Grand Visit to China;</div>
<div id="_mcePaste">Wei Liming         396</div>
<div id="_mcePaste">Holistic Development:</div>
<div id="_mcePaste">Rajasri Basu        427</div>
<div id="_mcePaste">Relevance of Tagore in Today&#8217;s World</div>
<div id="_mcePaste">Historical Significance of Tagore&#8217;s China Visit</div>
<div id="_mcePaste">A Tagorean Vision</div>
<h3><strong><em>Bjornson Studies</em></strong></h3>
<div id="_mcePaste">Bjornson and Women&#8217;s Social Emancipation</div>
<div id="_mcePaste">Tove Bakke     437</div>
<div id="_mcePaste">Bjornson Spirit:The Benevolent Loves Others</div>
<div id="_mcePaste">Liu Minghou        444</div>
<div id="_mcePaste">A Mind as Broad as the Ocean:A Few Thoughts on Bjornstjerne Bjornson&#8217;s“The</div>
<div id="_mcePaste">Ocean&#8221;</div>
<div id="_mcePaste">Sun Jian     455</div>
<div id="_mcePaste">Miracle and Violence as Phenomena of Hope and Happiness:On Bjornson and Be-</div>
<div id="_mcePaste">yond Our Power</div>
<div id="_mcePaste">Ng Hong Chiok   460</div>
<h3><strong><em>Estonian Literature Studies</em></strong></h3>
<div id="_mcePaste">For a First Glance at Estonian Literature</div>
<div id="_mcePaste">Juri Talvet   466</div>
<div id="_mcePaste">Estonian Poetry:The Seduction and the Toil of Thinking in Rhymes</div>
<div id="_mcePaste">Juri Talvet   468</div>
<div id="_mcePaste">Estonian Poetry in English</div>
<div id="_mcePaste">Lauri Pilter   487</div>
<div id="_mcePaste">Translating from French Language into Estonian Literature</div>
<div id="_mcePaste">Katre Talviste   505</div>
<h3><strong><em>Book Reviews</em></strong></h3>
<div id="_mcePaste">A Call for Love and Harmony:On Juri Talvet&#8217;s Poetry and Prose</div>
<div id="_mcePaste">Hu Tianfu    518</div>
</div>
</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
<ul>
<li style="text-align: left;"><a href="http://www.fwls.org/wp-content/plugins/download-monitor/download.php?id=6" target="_blank">All contents of the issue</a></li>
</ul>
<p style="text-align: left;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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		<title>Vol.2, No.2, 2010</title>
		<link>http://www.fwls.org/download/vol-2-no-2-2010.html</link>
		<comments>http://www.fwls.org/download/vol-2-no-2-2010.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 00:21:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.fwls.org/?p=281</guid>
		<description><![CDATA[<img class="alignnone size-full wp-image-283" title="201022" src="http://www.fwls.org/wp-content/uploads/2011/10/201022.jpg" alt="" width="155" height="224" />
This issue contains two parts.
1. World Shakespeare
2. Renaissance Travels through Milton, Time, and Mind]]></description>
				<content:encoded><![CDATA[<h3><a href="http://www.fwls.org/wp-content/uploads/2011/10/201022.jpg"><img class="alignnone size-full wp-image-283" title="201022" src="http://www.fwls.org/wp-content/uploads/2011/10/201022.jpg" alt="" width="155" height="224" /></a></h3>
<h3><strong><span style="color: #0000ff;">Tables of content</span></strong></h3>
<div>
<div>
<div id="_mcePaste">Introduction</div>
<div id="_mcePaste">Ty Buckman and Charles S. Ross   169</div>
<h3><strong><em>World Shakespeare</em></strong></h3>
<div id="_mcePaste">Othello and the French Tradition in Les enfants du paradis</div>
<div id="_mcePaste">Charles S.  Ross</div>
<div id="_mcePaste">172</div>
<div id="_mcePaste">Shakespeare in Iowa</div>
<div id="_mcePaste">Brady J. Spangenberg   181</div>
<div id="_mcePaste">The Anti-Gaze in a Hybrid Shakespeare:A Discussion of Women Characters in Priuce</div>
<div id="_mcePaste">of the Himalayas</div>
<div id="_mcePaste">Runlei Zhai   194</div>
<div id="_mcePaste">Love and Empire:The Transnational Logic of Feng Xiaogang&#8217;s The Banquet</div>
<div id="_mcePaste">Jinhua Li       206</div>
<div id="_mcePaste">Representations of Shakespearean Women in Contemporary Brazilian Media</div>
<div id="_mcePaste">Christiaue F.  de Alcantara   215</div>
<div id="_mcePaste">Creating the Ghosts of Modernity:Magic and Memory in Hamlet and Cieu Anos de</div>
<div id="_mcePaste">Soledad</div>
<div id="_mcePaste">Jason Lotz   227</div>
<h3><strong><em>Renaissance Travels through Milton，Time，and Mind</em></strong></h3>
<div id="_mcePaste">Expensive Egypt</div>
<div id="_mcePaste">David Read   237</div>
<div id="_mcePaste">Language and Difference in Hakluyt&#8217;s Principal Navigations</div>
<div id="_mcePaste">Marianne Montgomery   246</div>
<div id="_mcePaste">Olympias and Infidelity in the Alexander Romances:A Cross Cultural Study</div>
<div id="_mcePaste">Jena AL-Fuhaid   254</div>
<div id="_mcePaste">The Mythical Method in Song and Saga，Verse and Prose:Part II</div>
<div id="_mcePaste">James Nohrnberg   270</div>
<div id="_mcePaste">The Epic Decision:From Homer to Milton</div>
<div id="_mcePaste">Peter Hufnagel      303</div>
<div id="_mcePaste">The Fight Over the Body in Paradise Lost Book IV</div>
<div id="_mcePaste">Ty Buckman        317</div>
<div id="_mcePaste">Devotional Method and Efficacious Reading in John Donne&#8217;s Devotions饰on Emergent</div>
<div id="_mcePaste">Occasions</div>
<div id="_mcePaste">Mardy Philippian，Jr.    329</div>
<div id="_mcePaste">Wang Xiao-ping Won the 2nd Nara International Myriad Leaves Prize of Japan</div>
<div id="_mcePaste">Chao Gao   338</div>
</div>
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		<title>Vol.2, No.1, 2010</title>
		<link>http://www.fwls.org/download/vol-2-no-1-2010.html</link>
		<comments>http://www.fwls.org/download/vol-2-no-1-2010.html#comments</comments>
		<pubDate>Fri, 07 Oct 2011 00:08:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[<img class="alignnone size-full wp-image-304" title="201012" src="http://www.fwls.org/wp-content/uploads/2011/10/201012.gif" alt="" width="155" height="224" />
This issue contains four parts.
1. Analyses of Ibsen's Dramatic Texts
2. Ibsen’s Plays on Stage
3. Comparative Studies on Ibsen
4. Reviews]]></description>
				<content:encoded><![CDATA[<h3><a href="http://www.fwls.org/wp-content/uploads/2011/10/201012.gif"><img class="alignnone size-full wp-image-304" title="201012" src="http://www.fwls.org/wp-content/uploads/2011/10/201012.gif" alt="" width="155" height="224" /></a></h3>
<h3><strong><span style="color: #0000ff;">Tables of content</span></strong></h3>
<div>
<h3><em>Analyses of Ibsen&#8217;s Dramatic Texts</em></h3>
<div>Peer Gynt&#8217; s Boundary-Crossings ; The Global Map of His Empirical and Mental Journeys</div>
<div>Kraut Brynhildsvoll   1</div>
<div>The Lady from the Sea:Emergence from Marine Unconscious to Awakened Living</div>
<div>Rukesh Mohun Shurmu          7</div>
<div>Discord and Harmony Between Human and Nature:An Ecological Interpretation of</div>
<div>The Lady from the Sea</div>
<div>Dunni Dui     19</div>
<div>Periphery and Tragedy:Ibsen and the Emergence of a Literary Form</div>
<div>Leonardo F.  Lisi     28</div>
<div>Ibsen&#8217;s Use of Holy Days:An Amalgam of Philosophy，Poetry，and Religion</div>
<div>Truusti Olufsson      35</div>
<div>The Use of the Gun and the Myth of Freedom</div>
<div>Subihu Huq          45</div>
<div>Ibsen’s Compass:Points of Dread and Desire</div>
<div>Anne-Charlotte Hunes Harvey   51</div>
<h3><strong><em>Ibsen’s Plays on Stage</em></strong></h3>
<div>Negotiating Difference:Contemporary  Bengali  Representations of When  We Dead</div>
<div>Awaken and The Wild Duck in Bengal</div>
<div>Tuputi Guptu   63</div>
<div>Ibsen in the Globalized Society:Multiculturalism-or the Lack Thereof-in Norwe-</div>
<div>gian Ibsen Performance</div>
<div>Lixian Cheng   69</div>
<div>Intercultural Implications of A Doll’s House:Experiences with a Production of Ibsen&#8217;s</div>
<div>Play in Mozambique.</div>
<div>Helge Running   75</div>
<div>The Making of a World Dramatist:Ibsen and Det Norske Treater</div>
<div>Tanya Thresher   82</div>
<div>Post-perestroyka Receptions in Staging Ibsen</div>
<div>Margarita Odesskuyu   89</div>
<h3><strong><em>Comparative Studies on Ibsen</em></strong></h3>
<div>The Theme of“Discussion&#8221;:Ibsen，Shaw and Ding Xilin Compared</div>
<div>Sun Jian      97</div>
<div>The Role of Women in the Reception of Ibsen in Finland in the 1880s and 1890s</div>
<div>H. K.  Riikonen   103</div>
<div>Misinterpretation and Innovation:Receptions of A Doll’s House during May Fourth</div>
<div>Movement in China</div>
<div>Chen Liang    109</div>
<div>Playbird or Featherbrain</div>
<div>May-Brit Akerholt   117</div>
<div>A Doll’s House and Kramer vs. Kramer; Objections to Family Law</div>
<div>Bjurne Murkussen   123</div>
<div>Meeting Points of Ibsen and Rabindranath</div>
<div>Kuzul Krishna Bunerjee    131</div>
<div>Tracie Utoh-Ezeajugh’s Nneora:An African Doll’s House as a Paradigm</div>
<div>Alex C. Asigbo        140</div>
<div>The Biographers’Tale of Ibsen’s Childhood</div>
<div>Jens-Morten Hanssen       149</div>
<h3><strong><em>Reviews</em></strong></h3>
<div>Preface to The Interplay Between Art and Politics:A Study of Langston Hughes’:Poetry</div>
<div>Nie Zhenzhao    159</div>
<div>Classic of China, Treasure of the World:Review on The History of Japanese Research</div>
<div>on The Book of Ancient Chinese Poem</div>
<div>Liu Jiuling   164</div>
</div>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<h3><span style="color: #0000ff;">Download</span></h3>
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